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ESTAMPES ET DESSINS


Estampes


1 SCHEDEL, H. Prima Etas Mundi. IX Nuremberg, 12 July 1493. Coloured. Very good condition, wide margins and attractive colours. Paper strip pasted on left hand margin of recto. 456 x 645 mm.
Je voudrais de plus amples renseignements sur le Lot N°29728 .

1500 €   buy now

¤ A very fine presentation of Eve nursing Kain and Abel. Adam is working (255x220 cm). VERSO a genealogy of Adam.
Page from the richest illustrated Incunabel, the famous: Liber chronicarum or Nuremberg Chronicle, published the year that Columbus returned to Europe after discovering America.
The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.
The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe
A opportunity to acquire a 15th-century book illustration by named artists.!




2 SCHEDEL, H. Prima Etas Mundi. VI Nuremberg, 12 July 1493. Coloured. Very good condition, wide margins and attractive colours. On verso a paper strip pasted in the right hand margin. 456 x 645 mm.
Je voudrais de plus amples renseignements sur le Lot N°29721 .

1500 €   buy now

¤ A very fine presentation of Eve, being created by God from Adam’s side.
Page from the richest illustrated Incunabel, the famous: Liber chronicarum or Nuremberg Chronicle, published the year that Columbus returned to Europe after discovering America.
The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.
The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe
A opportunity to acquire a 15th-century book illustration by named artists.!




3 SCHEDEL, H. Sexta Etas Mudi. - Data est mihi potestas in celo et in terra: Salvator: Nuremberg, 12 July 1493. Coloured. Good margins and attractive colours. Very good condition. 360 x 224 mm.
Je voudrais de plus amples renseignements sur le Lot N°29719 .

1500 €   buy now

¤ A very fine presentation of Jesus Christ surrounded by the Twelve Apostles. Each of the evangelists being represented by his symbol in the corners.
Page from the richest illustrated Incunabel, the famous: Liber chronicarum or Nuremberg Chronicle, published the year that Columbus returned to Europe after discovering America.
The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.
The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe.

A opportunity to acquire a 15th-century book illustration by named artists.!
¤




Estampes botanique


4 VON SIEBOLD, P.F. ABIETUM phyllulae et pulvini.s. Tab. 137. Leiden, 1852. Uncoloured. Lithography. Repaired tears right portion of print. In very good condition. 270 x 210 mm.
Je voudrais de plus amples renseignements sur le Lot N°27694 .

50 €   buy now

¤ From his famous work 'Flora Japonica'. Von Siebold was born in Wurtzburg, in Germany, and worked for the Dutch government as a doctor in Java. In Japan, where Von Siebold arrived in 1823 at the age of 27, he demonstrated his skills in medicine. His reputation allowed him to go beyond Deshima and to buy a house outside Nagasaki.
In 1835 the first instalments of his "Flora Japonica" were finished. The "Flora Japonica" was written in collaboration with Joseph Gerhard Zuccarini and issued in 30 parts./ Only the first volume could be completed in 1841, and during Von Siebold's lifetime until 1844, only five instalments of the second volume appeared. After Zuccarini's death in 1848, work on the Flora was virtually stopped, though on the basis of Zuccarini's and Siebold's manuscripts another five instalments were edited by F.A.W.Miquel for publications in 1870.




5 VON SIEBOLD, P.F. ABIETUM phyllulae et pulvini.s. Tab. 137. Leiden, 1852. Uncoloured. A good and dark impression. 270 x 210 mm.
Je voudrais de plus amples renseignements sur le Lot N°27696 .

50 €   buy now

¤ From his famous work 'Flora Japonica'. Von Siebold was born in Wurtzburg, in Germany, and worked for the Dutch government as a doctor in Java. In Japan, where Von Siebold arrived in 1823 at the age of 27, he demonstrated his skills in medicine. His reputation allowed him to go beyond Deshima and to buy a house outside Nagasaki.
In 1835 the first instalments of his "Flora Japonica" were finished. The "Flora Japonica" was written in collaboration with Joseph Gerhard Zuccarini and issued in 30 parts./ Only the first volume could be completed in 1841, and during Von Siebold's lifetime until 1844, only five instalments of the second volume appeared. After Zuccarini's death in 1848, work on the Flora was virtually stopped, though on the basis of Zuccarini's and Siebold's manuscripts another five instalments were edited by F.A.W.Miquel for publications in 1870.




Estampes du XVI ème au XVIII ème siècle


6 CORONELLI,V.M. Illustriss et excellentiss D.Paulus Quirini divi Marci procurator. Venice 1691. Uncoloured. Paper slightly age-toned. Printed on thick paper. Wide margins. 490 x 320 mm.
Je voudrais de plus amples renseignements sur le Lot N°22381 .

100 €   buy now

¤ Fine text page from Isolario Dell'Atlante Vento. with two copper engraved portraits printed within letter press.
In top portrait of "Hieronymus Quirinus" (60x55mm.) and in lower half a portrait of "Paulus Quirini" (190x145mm.)




7 CORONELLI,V.M. Leopoldo I. per la D.G. Imperatore de Romani, re d'Ungheria, di Boemia, Etc. Venice 1692. Uncoloured. Paper slightly age-toned. Printed on thick paper. Wide margins. 490 x 320 mm.
Je voudrais de plus amples renseignements sur le Lot N°22383 .

150 €   buy now

¤ Portrait engraving of Leopold I from Isolario Dell'Atlante Vento.




Estampes du XIX ème siècle


8 DAUMIER, H. Baissez le rideau, la farce est jouée. Paris, 1834. Lithographie sur blanc. Trace de pli vertical médian, 2 petite fentes en haut et en bas du pli, petit manque de papier au coin sup. gauche. Marges courtes. - Lithography on wove paper. Two small tears in the upper and lower middle part, old fold in the middle, small loss of paper in the upper left corner. 200 x 278 mm.
Je voudrais de plus amples renseignements sur le Lot N°28960 .

500 €   buy now

¤ Rare lithographie de Daumier publiée dans La Caricature (Journal) N ° 201 / Pl 421. La légende de cette lithographie est une allusion aux dernièrs mots de Rabelais avant de mourir.

- Rare lithography published in the newspaper "la Caricature".
Louis-Philippe, disguised as Clown, jester of the Commedia dell'arte, makes lower the theater curtain of the Chamber of representatives.
The theatrical metaphor indicating the semicircle(French National Assembly), usually used in the period, offers to Daumier the possibility of realizing a first board on a theater, a theme which will be, for its centrings and original lightings, amply resumed afterward.
The legend is an allusion to the last words of Rabelais before dying. - Daumier Register 86.




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